Костянтин Акінша про роботу Георгія Сенченка “Сакральний пейзаж Пітера Брейгеля”

Автор: Костянтин Акінша

Опублікований коментар

“Senchenko tried to produce a different style. His large picture was an appropriation of a small ink drawing of an apiary. It’s hysterical colors and pseudo-expressionistic style created an illusion of animation. This cloak of artistry allowed Senchenko to create emptiness, in the orienal sense, with the help of what he called “false creativity”[1].

[1] Kostantin Akinsha. Savadov & Senchenko. Works 1990-1991. – Berman E.N.Gallery – Catalogue – May 1992