Lada Nakonechna. Merge Visible series. 2015–2017. Found footage, photographs with cut-out and drawing. Variable sizes

Lada Nakonechna. Merge Visible series. 2015–2017. Found footage, photographs with cut-out and drawing. Variable sizes
Author
Year created
2015–2017
Work description

TThe title of this photo series references a function in graphic editors that merges all visible image layers. Lada Nakonechna leaves little visible to the viewer’s eye: she takes found photographs of towns and villages in the Luhansk and Donetsk regions—places that experienced destruction from the Russian invasion—and removes all elements showing this destruction. What remains are abstract geometric compositions that involuntarily evoke avant-garde art techniques and forms. The artist labels each photo Composition No., turning this resemblance into a conscious artistic gesture. Thus, the formal aspect is undercut by the conceptual: the white voids recall war crimes that are erased, forgotten, or deleted. What has become the backdrop for the “compositions” simultaneously signifies loss and irretrievability.

Related exhibitions

2021 

Disciplined Vision, NAMU – National Art Museum of Ukraine, Kyiv

Ways of Seeing, permanent exhibition, Muzeum Sztuki w Łodzi, Poland

2018 

Zeitgeistlos, curated by_Eszter Lázár & Edina Nagy, Knoll gallery, Vienna, Austria

2017 

Postponed Futures, GRAD Gallery, London, United Kingdom

2016 

Bud’mo, Galeria BWA, Zielona Góra, Poland

Experiments (with Zhanna Kadyrova), BWA WARSZAWA, Poland

 

Works From This Series