Pavlo Kerestey’s position is undoubtedly different [compared to Viktor Kazarin]. Without completely rejecting either the narrative beginning or conscious aestheticization, the artist insists on the uniqueness of his own vision, using meditation as a creative method. Thus, the artist-medium realizes the communicative role of plasticity, and form acts not simply as a means and goal of transforming the rich visual imagination of the artist into freely emotional images of his paintings. The impulsive nature of the painting and the scale of the canvases are adequate to the special energy in depicting reality, formulated in a language dictated to Pavlo Kerestey by his artistic experience.Тип коментаря: Published comment
Автор: Tetiana Chystova and Marat Gelman
Бібліографія:
Introductory article by T.Chystova and M.Gelman / The Ideal Project for the Soviet Market [catalog]. – Moscow: Center for Scientific and Engineering Problems and Moscow Agency “Art-Service” under the Soviet-American Fund “Cultural Initiative”, 1990. – pp.2-4
