“Planetary thinking” exists in the boundless expanses of an unreal continent, producing in its nonexistent prisms allegorical connections of “neutron macro-logic.” Its emergence is associated with penetration into the depths of linguistic chaos and the boundless expanses of meaning-visual schizophrenic processing (the subconscious of narration). The overall structure of “interplanetary macro-logic” resembles the structure of an atomic macro-cosmic process. The main substantial paradigm of macro-logic is the boundless comprehension of everything in a holistic closed continuum, folding the infinite chaotic space of the structure of independent identity. When subordinating the system that coordinates all binding, fastening boundaries of incomprehensible magnitudes, there is a noted tendency of interplanetary logic to expand its boundaries in the infinite chaos of interlingual parallels, parallels of meaning, transcendental, signifying. The existence of certainty in the boundless logo-aprentational paradigm of light-being and comprehension in the all-encompassing ideological dome, twisted inside the potentially illogical semiotic process of light-contextual paradigmatics of the general metaprognotic process, is the meaning – hypertextual rhetoric in the infinite continuum of sign-metaphorical meaning overlays, with constituent density of meaning-generating substances representing and enchanting everything in everything. Such condensations in the field of cultural-narrative process define various segments unfolding in paradigmatic connections, giving meaning-generating processes the will to embed themselves in the light-producing environment, spreading logoproductionist pseudo-ideolograms in the “Vacuum practice of the meaning field of metaphorical chronology.”
Everything folds into the infinite subspatial light-being,
demarcated by internal decay (ideologemic rotting), forming a chain of orthodox unities created by being in the mirror space of allegorical forms, outside the void linkage of ritualized deeds in the infinite process of creating the created common metabolic body. Penetration into the realm of unreachable magnitudes in planetary features reduces star-cosmic depth inward into the narrative multiplicity of the relationship of linguistic metaspaces. The general planetary field in a uniform context constitutes planetary similarity with the meaning-visualized series of interplanetary logo-informatics of meaningful light distribution. All this is located in schizothermic conditions of the contextual network of planetary methods of movement through narration in the infinite vacuum of ideology of the general macrotectonics of the bioterminal code. The infinite unrealization of narration brings meaning into a state of absorption of the informatory layer into the narrative unity of the meaning-visual series. The internal vacuum in the meaning zones (Teddy imprints), absorbing all meaning-visual edges, reducing something inward, transcend as an eternal temporal ring or by embedding infinity, processing the void through experiencing it by the narrative chain of coincidences. Chains are thought-forms interpreting reality and inscribing it into visual roots, preserving their limits of the real in the opposite unreflected poetics – a substantially unreal mass of substitutions (fetishes), hiding everything within the Other, that is the reverse – encountered in images of infinite metasystems. All this is connected into a structured network of stellar phenomena of light-producing clusters, metabolic particles, linking one into another narrative context.
The meaning-rhetorical feature in macrology, understood as reduced infinity directed inward to the external narration, aimed at meaning-generating subspaces of allegorical (vacuum) narration, is an external reflection of what is happening in the structured semantics of the general metagalactic context.Comment type: Published comment
Author: Dmytro Dulfan
Bibliography:
Dulfan D. Planetary thinking / D. Dulfan // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “Tyrs”. – 1999. – P.197
Sources: Dulfan D. Planetary thinking / D. Dulfan // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “Tyrs”. – 1999. – P.197
