(This is not my title, but a deliberately taken
definition of time among the Maya peoples and the “New
theory of time by H. Arguelles”)
The artistic or creative process itself is nothing more than a temporary space existing as part of a field of influence and resonance with the environment. It carries all kinds of ideological and contextual forms of our reality and various sound-tactile experiences. These states can arise outside of creativity. Various sensations caused by altered states, random déjà vu, or simply a situation of reality inadequacy – all these are flashes of consciousness caused by stepping out of our everyday adaptability. This is our thinking, which relaxes or tenses depending on the degree of influence of the emitted object, in this case – the improvisation process.
I am no exception to the rules of “Artificial Intelligence” which are scattered throughout many treatises on the visual sequence, from the Egyptian pyramids to the paper editions of Baudrillard and Pepperstein. All this exists and will always exist. It is something that one really cannot do without, but can survive.
The question is about expanding the boundaries of the creative range, one’s vibrations, perfecting one’s nature. This topic is, of course, revealed in life by every person living by the principles of Time-Art. (H. Arguelles’ theory states that humans were deliberately led into the space of “Time-Money” from the universal space of “Time-Art”)
So what is depicted here? Or: what is this? Or: how is this? Why all this? Who needs it?
Of course, these questions always arise everywhere, but the answer is one — in the person who creates this Time. Or maybe he is involved in a game that holds a great secret? The secret of life itself, resonance with the world and the universe?
Only he knows this – the artist, musician, poet.
To the uninitiated viewer, one can say this — if you do not have this in you, just enjoy everything, because the ability to convey any state, even a crude one, is only possible for a person who has realized their ability to carry vibration and resonance with Something or Someone, and this is the main thing in the relationship between those who know how to give and take. Much has been written about this, but one thing is true – if you do not know how to give or your nature is not yet ready for this, then you must learn to take – and this is exactly the main thing in the resonance of two sides, without which there is no balance and harmony.
*text provided by the artistComment type: Published comment
Author: Dmytro Dulfan
